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Esa Lila Vibhor Nitya Goloke

Bhajan | Bhaktivinoda Thakura

Verses

Verse 1

esa lila vibhor nitya goloke suddha-dhamani

svarupa-bhava-sampanna cid-rupa-vartini kila

Verse 2

jive sambandhiki seyam desa-kala-vicaratah

pravarteta dvidha sa'pi patra-bheda-kramad iha

Verse 3

vyakti-nistha bhaved eka sarva-nistha'para mata

bhaktimad dhrdaye sa tu vyakti-nistha prakasate

Verse 4

ya lila sarva-nistha tu samaja-jsana-vardhanat

narada-vyasa-cittesu dvapare sa pravartita

Verse 5

dvarakayam harih purno madhye purnatarah smrtah

mathurayam vijaniyad vraje purnatamah prabhuh

Verse 6

purnatvam kalpitam krsne madhurya-suddhata-kramat

vraja-lila-vilaso hi jivanam srestha-bhavana

Verse 7

gopika-ramanam tasya bhavanam srestha ucyate

sri-radha-ramanam tatra sarvordhva-bhavana mata

Verse 8

etasya rasa-rupasya bhavasya cid-gatasya ca

asvadana-para ye tu te nara nitya-dharminah

Verse 9

samanya-vakya-yoge tu rasanam kutra vistrtih

ato vai kavibhih krsna-lila-tattvam vitanyate

Verse 10

iso dhyato brhaj jsatam yajseso yajitas tatha

na rati paramanandam yatha krsnah prasevitah

Verse 11

vidanti tattvatah krsnam pathitvedam suvaisnavah

labhante tat phalam yat tu labhed bhagavate narah

Translation

Verse 1

This pastime of the Almighty is eternal, occurring in the pure abode of Goloka, endowed with His own intrinsic nature, existing in a fully spiritual form.

Verse 2

That same pastime, in its relation to the conditioned soul, manifests according to considerations of place and time, and proceeds in two ways here, according to the gradation of different types of recipients.

Verse 3

One kind is called particular, the other universal in its scope; of these, the particular manifests specifically within the heart of an individual devotee.

Verse 4

That pastime which is universal in scope, being meant to increase the knowledge of society at large, was manifested within the hearts of Narada and Vyasa during the Dvapara age.

Verse 5

This Vaisnava religion in the form of the pastimes of the Lord is divided into three parts according to the development of a society's knowledge. The first part is the pastimes ofDvaraka, where the Lord is opulent, where He is known as Vibhu, and where His is worshiped through regulative principles. The second part is seen around Mathura, where the Lord's opulence is partially manifest with a greater portion of sweetness. But the third part, the pastimes of Vraja, is the best of all. Pastimes that contain more sweetness are superior and more intimate by nature. Therefore Krsna is most complete in the pastimes of Vraja. Although opulences are part of the Lord's splendor, they cannot become prominent before Krsna; because wherever opulences are more prominent, sweetness is diminished. This is also the case in the material world. Therefore objects of sweetness like cows, gopas, gopis, cowherds' dress, butter, forests, fresh leaves, the Yamuna, and the flute are the only wealth of Vraja-Gokula, or Vrndavana. What is the need for opulence there?

Verse 6

This gradation of fullness is conceived in Krishna according to the degree of purity of sweetness; indeed, the display of pastimes in Vraja is the highest conception attainable for a living being.

Verse 7

Among these, His pastime as the beloved of the gopis is called the best; and among those, His pastime as the beloved of Sri Radha is held to be the topmost of all.

Verse 8

Those persons who are devoted to relishing this mellow, this spiritual sentiment belonging to the transcendental realm, are the ones eternally situated in their true constitutional nature.

Verse 9

But in the mere combination of ordinary words, where indeed is there room for the full expansion of these mellows? Therefore poets continue to expound the truth of Krishna's pastimes through poetry all the same.

Verse 10

The Lord, meditated upon by great knowers of Brahman and worshiped as the Lord of sacrifice, does not grant supreme bliss in the way that Krishna does when He is properly served in loving devotion.

Verse 11

Good Vaishnavas who study this teaching come to know Krishna in truth; they obtain the very same result that a person obtains from studying Srimad-Bhagavatam.

TraditionBhajan
ComposerBhaktivinoda Thakura
LanguagesEnglish, Hindi
Verses11 verses

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