Sri Ujjwala Rasa Sara Swabhabatah Dwi Prakara
Bhajan | Bhaktivinoda Thakura
Verse 1
śrī ujjwala rasa sāra swabhābataḥ dwi-prakāra
bipralambha sambhoga ākhyāna
binā bipralambhāśroya sambhogera puṣṭi noya
tāi bipralambhera bidhāna
Verse 2
pūrba-rāga tathā māna prabāsa baicttya-jñāna
bipralambha cāri to' prakāra
saṅgamera pūrba-rīti labhe pūrba-rāga khyāti
darśane śrabaṇe janma tāra
Verse 3
anurakta dam-patira abhiṣṭa biśleṣa sthira
darśana birodhi bhāba māna
sa-hetu nirhetu māna praṇayera pariṇāma
praṇayera bilāsapramāṇa
Verse 4
sāma-bheda kriyā dāne natyupekhā su-bidhāne
sahetu mānera upaśama
deśa kāla beṇu-rabe nirhetuka mānotsabe
kore ati śīghra uparama
Verse 5
biccheda āśaṅkā hoite premera baicittya citte
premera swabhābe upajoya
deśa grāma banāntare priyā je prabāsa kore
prabāsākhya bipralambha hoya
Verse 1
Ujjvala-rasa, the best of rasas, is naturally of two kinds: vipralambha (separation) and samhoga (enjoyment together). The pleasure in sambhoga is not properly appreciated without vipralambha. That is vipralambha's function.
Verse 2
Vipralambha is of four kinds: pūrva-rāga (preliminary attraction), māna (seeming anger), pravāsa (separation by distance), and vaicittya-jñāna (apprehension). Pūrva-rāga is love born from seeing or hearing of the beloved before the actual meeting.
Verse 3
In māna the lovers voluntarily separate and will not see each other. This may be with reason (sahetu) or without reason (nirhetu). The anger manifested in māna is a transformation of love. These are pastimes of love.
Verse 4
Sahetu māna may be pacified by sweet words, witty jokes, worship, gifts, bowing down, or indifference. Nirhetu māna may quickly be pacified by a beautiful place, the passing of time, or the sound of flute music.
Verse 5
Prema-vaicittya is manifested in the heart because of fear of separation from the beloved. When the beloved travels to another country, town, or forest, that is called pravāsa separation.
Verse 1
śrī ujjwala rasa sāra swabhābataḥ dwi-prakāra
bipralambha sambhoga ākhyāna
binā bipralambhāśroya sambhogera puṣṭi noya
tāi bipralambhera bidhāna
Verse 2
pūrba-rāga tathā māna prabāsa baicttya-jñāna
bipralambha cāri to' prakāra
saṅgamera pūrba-rīti labhe pūrba-rāga khyāti
darśane śrabaṇe janma tāra
Verse 3
anurakta dam-patira abhiṣṭa biśleṣa sthira
darśana birodhi bhāba māna
sa-hetu nirhetu māna praṇayera pariṇāma
praṇayera bilāsapramāṇa
Verse 4
sāma-bheda kriyā dāne natyupekhā su-bidhāne
sahetu mānera upaśama
deśa kāla beṇu-rabe nirhetuka mānotsabe
kore ati śīghra uparama
Verse 5
biccheda āśaṅkā hoite premera baicittya citte
premera swabhābe upajoya
deśa grāma banāntare priyā je prabāsa kore
prabāsākhya bipralambha hoya
Verse 1
Ujjvala-rasa, the best of rasas, is naturally of two kinds: vipralambha (separation) and samhoga (enjoyment together). The pleasure in sambhoga is not properly appreciated without vipralambha. That is vipralambha's function.
Verse 2
Vipralambha is of four kinds: pūrva-rāga (preliminary attraction), māna (seeming anger), pravāsa (separation by distance), and vaicittya-jñāna (apprehension). Pūrva-rāga is love born from seeing or hearing of the beloved before the actual meeting.
Verse 3
In māna the lovers voluntarily separate and will not see each other. This may be with reason (sahetu) or without reason (nirhetu). The anger manifested in māna is a transformation of love. These are pastimes of love.
Verse 4
Sahetu māna may be pacified by sweet words, witty jokes, worship, gifts, bowing down, or indifference. Nirhetu māna may quickly be pacified by a beautiful place, the passing of time, or the sound of flute music.
Verse 5
Prema-vaicittya is manifested in the heart because of fear of separation from the beloved. When the beloved travels to another country, town, or forest, that is called pravāsa separation.
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